“In from the Side” (2022) is a British romantic drama directed by Matt Carter. The film follows Mark, a new member of a struggling gay rugby club, who begins a passionate yet forbidden affair with Warren, one of the teamβs star players. Both men are already in relationships, leading to tension as their connection grows, threatening the unity of their team and personal lives.
The film centers around Mark, a new and somewhat inexperienced member of a struggling gay rugby club, and Warren, a seasoned player and one of the teamβs stars. Both men have partners: Mark is in a strained long-term relationship, while Warren is with someone he loves but feels increasingly disconnected from.
When Mark and Warren meet, thereβs an undeniable attraction between them, leading to a passionate and illicit affair. As their bond deepens, they must keep their relationship hidden, not just from their partners but also from their teammates to avoid jeopardizing the fragile unity of the club. The secrecy, however, becomes increasingly difficult to maintain as emotions intensify and personal lives begin to unravel.
The film delicately balances the passion of their romance with the consequences of their actions, portraying the struggles of loyalty, love, and identity. Itβs a heartfelt exploration of the challenges faced by people in complex relationships, set against the backdrop of camaraderie, team spirit, and the supportive (yet often competitive) environment of a gay rugby team.
“In from the Side” received positive reviews for its nuanced storytelling, realistic depiction of relationships, and authentic portrayal of the gay rugby community. Critics praised the performances of Alexander Lincoln and Alexander King, who brought depth and vulnerability to their roles.
The filmβs exploration of themes like secrecy, infidelity, and emotional conflict resonated with many viewers, while the rugby setting added a fresh perspective to LGBTQ+ cinema. Some reviewers noted that the runtime (134 minutes) felt slightly long, but the emotional depth and character-driven narrative kept audiences engaged.